2025 Tony Awards- The Nominees React
by Robert Diamond - May 1, 2025
Tonys time is here at last! The nominations for the 78th Annual Tony Awards were announced this morning by Sarah Paulson and Wendell Pierce. Follow us throughout the day, as we'll bring you Tony nominee reactions, exclusive reports, surprises, behind the scenes coverage and oh, so much more!
2025 Tony Award Nominations- The Full List
by Nicole Rosky - May 1, 2025
The 78th Annual Tony Awards nominations were announced by Sarah Paulson and Wendell Pierce and here they are... celebrating the best of the 2024-25 theatre season. Check out the full list of nominees here.
Recap Tony Awards Eligibility Decisions of the 2024/25 Season
by Nicole Rosky - Apr 29, 2025
The Tony Awards Administration Committee has been meeting all year to discuss the eligibility of the 2024/25 Broadway productions. Need a recap before the nominations announcement? Below, we've rounded up all rulings from all four meetings.
Sadie Sink Will Lead JOHN PROCTOR IS THE VILLAIN on Broadway
by Stephi Wild - Oct 17, 2024
Stranger Things star Sadie Sink will star in John Proctor is the Villain, a new play by Kimberly Belflower, on Broadway this spring. Directed by Tony Award winner Danya Taymor, John Proctor is the Villain will begin performances on Thursday, March 20, 2025.
Review: Droning Overwhelms the Lives of THE LISTENERS in New Mazzoli-Vavrek Opera
by Richard Sasanow - Oct 3, 2024
It’s fascinating that within two weeks, as the new US opera season began in earnest, Northeast operagoers heard a pair of new (or new-ish) operas by well-known creators: the US premiere of THE LISTENERS at Opera Philadelphia, by Missy Mazzoli and Royce Vavrek and the much-revised GROUNDED by Jeanine Tesori and George Brant, the gala opening night at the Met.
Review: John Adams's EL NINO Finally Arrives at the Met After World Travels
by Richard Sasanow - Apr 24, 2024
Back in December, I saw the chamber version of John Adams’s EL NINO—dubbed EL NINO: NATIVITY RECONSIDERED—at the Cathedral of St. John the Divine. Pared down to its essence, it was wonderful, starred two of the singers who made their debuts in the premiere at the Met, soprano Julia Bullock and bass-baritone Davone Tines plus countertenor Anthony Roth Costanzo, who were at their best. It was a somber evening in a dramatic setting—a far cry from the oratorio/opera’s over-the-top welcome to Lincoln Center last night, in Lileana Blain-Cruz’s production that made me wonder what Franco Zeffirelli might have done with it. Think the Parisian throngs in Act II of the Met’s LA BOHEME (which, of course, is one of the Met’s most popular productions with audiences).