Brett Cullum

A lot of people ask, “Why do you think it won the Pulitzer?” Post pandemic, and with all of the social media stuff that we have going on. There's something so simple that she was able to capture again, how we need each other, and it goes so against what society tells us.

And what of Wesley Whitson as Hamlet, perhaps the most challenging role in the entire canon of Shakespeare’s works? He is age-appropriate and fiercely dives into the madness for the first two-thirds, and then becomes steely and predatory for the final acts.

This is the first time Denise Fennell is playing herself, and it only took fifty years to get her here into the role she was born to play. She’s most known in Houston for donning a habit and chastising audiences about major holidays as Sister in the Late Night Catechism Series. Yet this show is where she is truly a revelation!

Vincent Victoria is a playwright, director, filmmaker, actor, and fashion icon who has been producing work in the Houston Community for at least the last ten years, probably more. He has written scripts for his theatrical and film company that strive to bring historical figures of the black community alive in plays and movies.

4TH Wall Theatre Company is opening their staging of HAMLET, which is best on the off-Broadway company Bedlam’s recent production. It’s a stripped-down version where four actors play over thirty different roles. But one man in the center only plays the titular HAMLET.

D. Jerome is originally from North Carolina and is described as a formidable triple threat; many of his past shows indicate that. Broadway World writer Brett Cullum got to catch up with him, right before he hits the stage as the Tin Man!

I'll tell you why I decided to do it; then I'll tell you about the toughness, but I read this about 1999, and just loved it. It made the hairs on my arms stand up, especially visualizing the very last scene with the entire cast swaying back and forth, and giving the illusion of them not swaying. You're not sure if they are or not.

Do you ever feel bad making fun of some of these folks? Because I mean, let's face it, Broadway actors. They take themselves a little bit seriously. I am terrified of interviewing Patti Lupone!

Stages Houston has wisely brought in DIXIE’S TUPPERWARE PARTY for its last hurrah, and she is doing a mini-residency that the purveyor of plastic is in the middle of until April 20th. The simple show works well in the intimacy of the Sterling Theater space, and we’re closer to the saleswoman than we ever have been.

I was born in Tokyo, Japan, and lived there till I was around ten. My mother met my father in the States. But then, when they got married, they moved back to Japan, had babies raised us, and then my mother remarried. I guess when I was ten, we moved to DC because of his job. I've been here ever since.

I have had a couple of run-ins. I've been married three times. I have three kids that I know of. I was doing things and I never thought I would be a Tupperware lady. I was doing things that normally weren't panning out from where I was from. My mama said, “I'm not pretty enough to work at this strip club!”

I like to write all the time and generally write two plays a year, just because I take very seriously the notion of this being my profession. I would say playwright is spelled WRIGHT [write]. It's like a Cartwright or a wheelwright. It's somebody who rolls up their sleeves and does their work.

It’s a word that has divided people for generations, so much so that I won’t even write it in this review. Rising Houston actor Cardero Berryman thoughtfully directs N; surprisingly, this is his first time at the helm of a play. He has a wonderful cast, great technical support, and the appropriately intimate Company OnStage theater space to produce the piece in.